My 2023 in Review: Grants, Public Art, and Teaching
With 2024 right around the corner, now’s the perfect time to reflect on 2023 and share a bit more about what I’ve been up to. In terms of making pictures, 2023 is currently in my Top 3 worst years for creating photographic work. This doesn’t mean that everything else I was working on wasn’t photography related, it just wasn’t work for myself. Looking back, this year was all about strengthening my arts connections locally by sharing photography with the community. In no particular order, here’s what I’ve been up to for the past twelve months.
After-school Arts
Since the Fall Semester of 2022, my good friend Tariq Tarey and I have been working closely with a local charter school to develop an after-school photography program. For our first year, we were able to get interchangeable lens mirrorless cameras into the hands of fourteen eager 7th and 8th graders. Each week, we would take an hour to introduce the kids to a different aspect of photography. Throughout the year we managed to guide them out of Auto Mode on their cameras and start “seeing” their photos instead of simply “point and shoot”. By the end of year one students had: photographed a body of work, critiqued and edited their pictures, printed, framed, and entered their photographs into a local art show.
It’s been a long time since I’d worked with middle school aged kids, and to say I was nervous about working with younger students is an understatement. From years of teaching privately via Midwest Photo and One-on-One workshops, teenagers haven’t been my typical clientele. Many of them had no experience with a camera outside of a smartphone, and the idea of a dedicated device for picture taking was completely foreign. To the surprise of Tariq and myself, they picked up the basics at lightning pace. The mechanics took a bit more practice than anticipated, but their grasp of the language of photography was impressive and helped guide their vision. Overall I’m incredibly proud of what our students were able to accomplish in our short time together, and I’m looking forward to 2024 where we’ll be back for a new class of creatives!
Hilltop Cyanotype Day
Each year, the Greater Columbus Arts Council (GCAC) offers financial support to individual artists and arts organizations in the Columbus, OH area in the form of grants. These can range from one-time stipends for artist’s supplies to sustaining grants for arts nonprofits in the area. I’ve been participating in GCAC Individual Artist grants since 2015 and looking through the 2023 opportunities list, there was a new program that piqued my interest. The Neighborhood Arts Connection (NAC) grants are a way for artists residing in a particular Columbus neighborhood to receive funding to elevate and engage the community. And one of the two neighborhoods on the list for early 2023 was the Hilltop, where I’ve been for the last four years. There were two levels of the NAC grant available, $5k and $10k for a neighborhood based art program, so I decided to swing for the fences. I pitched a one-day public workshop where ANYONE would be able to attend free of charge to make a cyanotype print. To my complete surprise, the grant was approved; this was going to be my biggest undertaking of the year by far!
Even as I talk about it in past tense, $10k is a lot of money to spend on any one thing. I’m incredibly grateful that Columbus has an arts organization that’s able to support artists and their communities with grants like this. All of that being said, $10k for a public art event can be tough when accounting for everything that goes into the day. Breaking it down into three core categories, here’s what the budget looked like on my grant application versus what it actually came out to:
Material Resources - $4360 planned, $3878.81 actual
Includes art supplies, consumable goods, first aid supplies, and miscellaneous goods purchased for the event.
Human Resources - $4400 planned, $4682.50 actual
Includes pay for event host (me), eight assistants, and security all at a fair wage.
Event Planning - $1240 planned, $1693.11 actual
Includes space rental, permits, insurance, and event marketing.
So how far did that $10k go? I’m a little biased here, but I think it was enough to make an impact on my neighborhood. On Sunday October 1st, 2023 at Westgate Park, I along with eight other local artists hosted a hands-on workshop where all attendees were able to make their own cyanotype prints, free of charge. No photography experience? No problem! There were 200+ pieces of pre-coated light sensitive materials on-site, with dozens of different stencils and objects to make a unique photogram.
Throughout the course of the day, we had over 130 members of the public join us in making nearly 200 cyanotype prints on: watercolor paper, t-shirts, tote bags, napkins, and a few giant cotton murals! We had folks of all ages in attendance from age 4 - 72, many of which stayed to make extra prints. There were a few photographers that showed up, but a vast majority were Hilltop and Westgate locals that were interested in making something by hand. Any leftover arts and craft supplies that were used from the day made it into the hands of Hilltop art teachers, and two of the giant “snow angel” murals were donated to Hilltop local establishments. Most importantly, no attendees left the event empty handed, and everyone remained safe while having fun experiencing the joy of photography!
There were plenty of hurdles and a lot of lessons learned during the planning and execution of this event. Once I have that all of my thoughts and feelings compiled into an explainer video, I’ll be sure to append this blog post accordingly. For now, here are a couple of galleries of photographs taken on Cyanotype Day by photographers Shiann Banks (below) and Gracie Becker (above), thank you both SO MUCH for your help!
Research & Residency
Working as a freelance photographer is still not something I’m 100% used to yet, but in this second year of not having a 9-to-5 job I’ve started to look at opportunities that were previously out of reach. In previous years I’d see a handful of amazing location workshops and artist in residence (AiR) programs that I couldn’t participate in due to lack of paid time off days. One of my big goals for 2023 was to change this by applying to upcoming AiR programs and explore new grants. The Hilltop Cyanotype Day was one such opportunity afforded by a generous GCAC grant, but I’m happy to report there are a couple more.
Starting in January in 2024, I’ll be taking part in the Winter Residency program at the Penland School of Craft. Penland is an amazing craft school nestled into the Blue Ridge mountains of North Carolina. Each year they host over a thousand students in residencies and workshops of various lengths and disciplines. During those few Winter weeks I’ll be in charge of the photo studio and darkroom spaces at Penland in exchange for some much needed time and access to work on my alternative process photography.
Alongside the Winter Residency at Penland, I’m equally excited to announce that I’ve received a generous grant award from the Ohio Arts Council (OAC) to help fund additional materials and research related to alternative process photography. Combined with my upcoming time at Penland, my aim to is come back to Columbus and spend more time making fine prints throughout 2024. With any luck I’ll be attempting several new-to-me alt processes and be reporting back to you all here on the blog and the YouTube channel.
In retrospect, 2023 was another year defined by photography, just not my own. I wasn’t out making pictures with big sheets of film through an “old timey” as much as usual, but I still had a blast. Thanks to everyone that helped make this past year a meaningful one, and an especially big thanks to the Greater Columbus Arts Council and Ohio Arts Council for helping support my continued photographic projects. Have a safe and Happy New Year, and I hope to share more photography with you all very soon!